Book of Hours drawing study Agnes Walden
$3,300
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This artwork is custom-framed. The framed dimensions are approximations and may vary by up to 2” on the width or height.
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This artwork is expected to ship within 3-4 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
This artwork is expected to ship within 3-4 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
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This artwork is currently ready-to-hang, and can be picked-up at Uprise Art within 1-2 business days, or shipped within 1 week of your order.
This artwork is expected to ship within 1-3 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
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We ship internationally via DHL and shipping costs are calculated during checkout. Oversized works (larger than 57 x 42 x 3 in.), are shipped white-glove. Checkout with the artwork and a member of our team will email a custom shipping quote.
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Book of Hours' takes its name from the medieval devotional texts containing daily prayers and practices, or as Walden puts it: "Something that tells you how to live every day." At the center of the image, which Agnes describes as "overtly horny," sits a trans man with a testosterone patch on his left inner thigh. On his right, we can see what appears to be the glowing, golden imprint of yesterday's patch. Between his open legs, he has laid out an open book. Where the content of its pages should be visible to the viewer, there is instead a pattern painted in various flesh tones that evokes the patch motif.
About the Artist
Agnes Walden is a representational painter concerned with queer and trans subjectivities.
- Exhibited at the Rhode Island School of Design Museum faculty exhibit, 2021
- The Elizabeth Greenshields Foundation Grant recipient, 2020
- Solo exhibition, favors, at An Sylvia Exhibitions, 2020
