Redaction Revisited - Version I Gail Tarantino
$3,650
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This artwork is custom-framed. The framed dimensions are approximations and may vary by up to 2” on the width or height.
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This artwork is expected to ship within 3-4 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
This artwork is expected to ship within 3-4 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
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This artwork is currently ready-to-hang, and can be picked-up at Uprise Art within 1-2 business days, or shipped within 1 week of your order.
This artwork is expected to ship within 1-3 weeks. After your order is placed, our team will be in touch to confirm the timeline.
If you have a specific deadline, please include a note in the special requests field during checkout and we’ll do our best to accommodate.
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We ship internationally via DHL and shipping costs are calculated during checkout. Oversized works (larger than 57 x 42 x 3 in.), are shipped white-glove. Checkout with the artwork and a member of our team will email a custom shipping quote.
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These bodies of work revolve around thinking about language and consider the meaning in a written text and their potential for interpretation and reinterpretation. The idiom to Read Between the Lines was thought to have been derived from the use of disappearing ink, allowing messages to be hidden or concealed between lines of text. The rhythmic pace of reading, pausing, counting, and the spaces between informed my formalist approach to these pieces. Inspired by the question of what is hidden and what is revealed, the Redaction Revisited works on paper were conceived as a way to re-evaluate and digest a redacted document, becoming another entry into pondering reading between the lines. Although the published layout of all 448 documents in the New York Times two-page spread of the Mueller report became a resource and initial launching pad, I refrained from translating word for word. Instead, using a bone folder, I inscribed an indented mark making that helped me synthesize the content and supported a slower pace to absorb the meaning in the redacted documents. All the works weave together ideas about the way we look for meaning that may be hidden or implied and is not explicit.
About the Artist
Gail Tarantino's work focuses on thinking of ways to interpret language and its myriad meanings.
- Featured in Form Design Magazine, 2018
- Exhibited at Sun Valley Center for the Arts, 2016
- Reviewed in Artillery Magazine, 2015
